Ersin Çelikbaş
Karabuk University, Classical Archaeology, Faculty Member
- Archaeology, Paphlagonia, Mezar Steli, Classical Archaeology, Parion, Arkeoloji, and 74 moreMetallurgy, Ancient Mining and Metallurgy, Ancient Metallurgy, Roman Mining and Metallurgy, Ancient Iron Metallurgy, Ancient Metal Technology, Hadrianoupolis, Antik Tıp Aletleri, Metalwork (Archaeology), Metal Finds (Archaeology), Metal conservation, Roman Surgical Instruments, Roman Baths (Archaeology), Strigili, Roman Lead, Roman arms armour smallfinds small finds archaeology, Surgical Instruments in Ancient Rome, Roman Bronze Vessels, Ancient Greek and Roman Metal Works, Roman Small Finds, Arkeometalurji, Roman tombs and burial customs, Ancient Fishing, Greek Archaeology, Byzantine Archaeology, Archaeology of the Hellenistic East, Ancient Greek Architecture, Ancient Greek Iconography, Ancient economies (Archaeology), Thracian Archaeology, Hellenistic and Roman Asia Minor, Greek Architecture, Bronzes antiques, Ancient Greek Metal Vessels, History of Ancient Macedonia, Ancient Greek and Roman Art, Toreutics / Silver vessels / Metalware / ‘International Achaemenid style’ / ‘Lydian Achaemenid style’ / Colchis / Asia Minor /Lydia, Stamped Amphora handles, Black Sea region, Byzantine art, Byzantine Studies, Archaeometry, Archaeometallurgy, Roman Bronzes, Graeco-Roman Mosaics and Wall Paintings, Metal Casting, Instrumentum domesticum, Bronze Casting, Instrumentum Inscriptum, Roman Tools, Pompeii, Roman Domestic Space, Ancient Goldsmith Techniques, Roman military equipment, Hoard finds, Bronze vessels stamps, Bronze Vessels, Macedonian archaeology, Ancient Bronzes, Greek and Roman Art and Architecture, Karadeniz Araştırmaları Dergisi, Greek Vases, Ancient jewellery, Gold jewellery, Jewellery Granulation, Gold jewelry in Ancient Near East, Ancient Furniture, Roman Silver Vessels, Roman Brooches, Black Sea Region Archaeology, Black Sea Studies, Ancient Greek Colonies of the Northern Black Sea Shore, Early Christianity, Byzantine Iconography, and Byzantine Metalworkedit
- Karabuk UniversityFaculty of LettersDepartment of Archaeologyedit
Through finding small fragment of mine, individuals began to proceed minerals, because there are not many mineral in the nature. The important part of Anatolia metallurgy is Northwest Anatolia. It is been examined out of all mining... more
Through finding small fragment of mine, individuals began to proceed minerals, because there are not many mineral in the nature. The important part of Anatolia metallurgy is Northwest Anatolia. It is been examined out of all mining ventures the ones close to Parion city will be highlighted. Some of those mineral stretum has relationship with Parion. Iron tacks that has been found by Parion has analysed through XRay Fluorensons. Located around the Parion and the samples taken from the mine operated known in antiquity, it was made the same analysis applied to the nails. In the analysis results produced in parione and MS.1 century AD. 5. Çakırlı ore nails belonging to a period of up to a century emerged that overlap with samples of the iron furnace. These results are important Parion in so far as the evidence despite the fact that the production of metal products reveal a workshop.
Research Interests: Archaeology, Classical Archaeology, Hellenistic History, Ancient Greek and Roman Art, Ancient Metallurgy, and 20 moreArkeoloji, Roman Bronze Vessels, Ancient Greek Mythology, Roman Amphorae, Ancient Mining and Metallurgy, Roman Bronzes, Ancient Bronzes, Bronze Objects, Dionysos, Roman Silver, Klasik Arkeoloji, Ancient Goldsmith Techniques, Roman Tools, cult of Dionysus, Parion, Ancient Greek Metal Vessels, Dionysus (Thebes/Athens) Greek Tragedy, Roman Archaeology, Roman Golden Jewellery, and Ancient Gold
Parion antik kenti kazılarında ortaya çıkarılmış olan, Roma dönemi kolonizasyonu ile ilgili lejandalara sahip sikkeler ışığında Parion'un Roma kolonizasyon dönemini aydınlatılmaya çalışılmıştır.
Research Interests:
Publications about Parion
Research Interests:
Ancient Roman Gemstones
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Parion Slope Structure's excavation beetween 2008-2010
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Parion antik kenti ile ilgili yapılmış yayınlar
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yarıdeğerli taşlardan yakut, amatist
Research Interests:
Parion Yamaç Yapısındaki 2008-2010 yılları arasında yapılmış çalışmalar.
Research Interests:
Research Interests: Archaeology, Classical Archaeology, Prehistoric Archaeology, Historical Archaeology, Landscape Archaeology, and 12 moreNumismatics, Medieval Archaeology, Ancient Roman Numismatics, Roman coins, Ancient Coins, Arkeoloji, Roman Imperial Coins, Klasik Arkeoloji, Arkeologi Arsitektur, Arkeologi, Tarih, Arkeoloji, Nümizmatik, and Roman Archaeology
Paphlagonian Hadrianoupolis
Research Interests: Archaeology, Classical Archaeology, Historical Archaeology, Landscape Archaeology, Architectural History, and 13 moreAncient Mosaics, Graeco-Roman Mosaics and Wall Paintings, Arkeoloji, Byzantine Mosaics, Mosaic Restoration and Conservation, Roman Mosaics, Paphlagonia, Klasik Arkeoloji, Early Christian Mosaics, Roman Mosaics and Wall Paintings, Late antique mosaics, Arkeologi, and Roman Archaeology
Abstract Safranbolu today is located in the east of Karabük province. In ancient period, the city was in the borders of Paphlagonia region, Halys (Kızılırmak) and Pontos region in the east; Parthenios (Bartınsu) or Billaios (Filyos River)... more
Abstract
Safranbolu today is located in the east of Karabük province. In ancient period, the city was in the borders of Paphlagonia region, Halys (Kızılırmak) and Pontos region in the east; Parthenios (Bartınsu) or Billaios (Filyos River) and Bithynia in the west; Gangra (Çankırı)and Galatya in the south. The artifact in the shape of a pedimenthas 3,95 m length, 2,13 m height and 0,47 m thickness. It is seen that there is a pig, a patera, olpe-pitcher, diptych, stylus, an open roll, a box whose lock and key part is portrayed, an amphora, a hacksaw blade, a pickaxe, a plow, a basket whose two sides are portrayed with two birds, a fruit basket, grape leaves, and bunches of grapes and a small bird eating grapes from the bunches which was made by scraping technique. The existent figures indicate that this plaque belongs to a grave. The artifact in the shape of a pediment has been evaluated under the title of “Stelas with Frontons” because of its shape and it has also been evaluated in the sub-category of “Stelas whose Tympanon are Nodal” and “Stelas with Cradle Roofed”. However, this pediment was processed schematically on massive blocks in the mentioned stela groups.
Furthermore, the size of these stelas are quite small. When these stelas taken into consideration, it does not suit to the existent classification because it is only made up of fronton and it has an unusual size. In this context, when compared to the other graves nearby the city, it is detected that there is a khamasorion grave in in-situ condition and with the help of this grave it is understood that the artifact belongs to khamasorion grave. Because the similar samples only exist in this region, it is called Pediment Stela in South Paphlagonia type. It is dated back to A.D 2-3 centuries because of the figures on it. Very important data has been gathered about the grave architecture and burial traditions of the region in the Roman Empire Period.
Özet
Safranbolu günümüzde Karabük ilinin 11 km doğusundadır. Antik dönemde ise kent Paphlagonia Bölgesi’nin sınırları içerisindedir. Alınlık şeklindeki eser 3,96 m uzunluğa, 2,13 m yüksekliğe ve 0,47 m derinliğe sahiptir. Eserin cephesinde, domuz, patera, olpe-pitcher, diptiych, kalemlik (stylus), açık rulo, kilit ve anahtar kısmı betimlenmiş bir kutu, amphora, bağ bıçağı, balta-kazma saban, kazıma tekniği ile yapılmış bir sepetin her iki tarafında betimlenmiş iki kuş, meyve sepeti, asma yaprakları, üzüm salkımları ve salkımlardan üzüm yiyen küçük bir kuştan oluşan kompozisyon görülmektedir. Mevcut figürlerin varlığı bu levhanın bir mezara ait olduğunu göstermektedir. Alınlık formundaki eserin; günümüze kadar yapılan stel ve adak levhası sınıflandırmalarında formu itibariyle, “Alınlıklı Steller” ana başlığında, “Tympanonu Bezeli Steller”, “Beşik Çatılı Steller” gibi alt gruplar içerisinde değerlendirilmiştir. Ancak anılan stel gruplarında bu alınlık masif blok üzerine şematik olarak işlenmiştir. Ayrıca bu stellerin ebatları oldukça küçüktür. Anılan steller göz önüne alındığında, eserin sadece alınlıktan ibaret oluşu ve alışılmışın dışındaki boyutları, mevcut sınıflandırmalara uymamaktadır. Bu bağlamda kentin yakın çevresindeki mezarlarla karşılaştırma yapıldığında in-situ durumda bir khamasorion mezar tespit edilmiş ve bu mezar ışığında eserin khamasorion bir mezara ait olduğu anlaşılmıştır. Benzer örneklerin sadece bu bölgede olması itibariyle Güney Paphlagonia Tipi Alınlık Stel olarak adlandırılmıştır. Üzerindeki figürlerden eserin M.S. 2-3. yüzyıllar arasına tarihlenmiştir. Bu çalışmayla bölgenin Roma İmparatorluk Dönemi mezar mimarisi ve ölü gömme geleneği bağlamında oldukça önemli veriler elde edilmiştir.
Safranbolu today is located in the east of Karabük province. In ancient period, the city was in the borders of Paphlagonia region, Halys (Kızılırmak) and Pontos region in the east; Parthenios (Bartınsu) or Billaios (Filyos River) and Bithynia in the west; Gangra (Çankırı)and Galatya in the south. The artifact in the shape of a pedimenthas 3,95 m length, 2,13 m height and 0,47 m thickness. It is seen that there is a pig, a patera, olpe-pitcher, diptych, stylus, an open roll, a box whose lock and key part is portrayed, an amphora, a hacksaw blade, a pickaxe, a plow, a basket whose two sides are portrayed with two birds, a fruit basket, grape leaves, and bunches of grapes and a small bird eating grapes from the bunches which was made by scraping technique. The existent figures indicate that this plaque belongs to a grave. The artifact in the shape of a pediment has been evaluated under the title of “Stelas with Frontons” because of its shape and it has also been evaluated in the sub-category of “Stelas whose Tympanon are Nodal” and “Stelas with Cradle Roofed”. However, this pediment was processed schematically on massive blocks in the mentioned stela groups.
Furthermore, the size of these stelas are quite small. When these stelas taken into consideration, it does not suit to the existent classification because it is only made up of fronton and it has an unusual size. In this context, when compared to the other graves nearby the city, it is detected that there is a khamasorion grave in in-situ condition and with the help of this grave it is understood that the artifact belongs to khamasorion grave. Because the similar samples only exist in this region, it is called Pediment Stela in South Paphlagonia type. It is dated back to A.D 2-3 centuries because of the figures on it. Very important data has been gathered about the grave architecture and burial traditions of the region in the Roman Empire Period.
Özet
Safranbolu günümüzde Karabük ilinin 11 km doğusundadır. Antik dönemde ise kent Paphlagonia Bölgesi’nin sınırları içerisindedir. Alınlık şeklindeki eser 3,96 m uzunluğa, 2,13 m yüksekliğe ve 0,47 m derinliğe sahiptir. Eserin cephesinde, domuz, patera, olpe-pitcher, diptiych, kalemlik (stylus), açık rulo, kilit ve anahtar kısmı betimlenmiş bir kutu, amphora, bağ bıçağı, balta-kazma saban, kazıma tekniği ile yapılmış bir sepetin her iki tarafında betimlenmiş iki kuş, meyve sepeti, asma yaprakları, üzüm salkımları ve salkımlardan üzüm yiyen küçük bir kuştan oluşan kompozisyon görülmektedir. Mevcut figürlerin varlığı bu levhanın bir mezara ait olduğunu göstermektedir. Alınlık formundaki eserin; günümüze kadar yapılan stel ve adak levhası sınıflandırmalarında formu itibariyle, “Alınlıklı Steller” ana başlığında, “Tympanonu Bezeli Steller”, “Beşik Çatılı Steller” gibi alt gruplar içerisinde değerlendirilmiştir. Ancak anılan stel gruplarında bu alınlık masif blok üzerine şematik olarak işlenmiştir. Ayrıca bu stellerin ebatları oldukça küçüktür. Anılan steller göz önüne alındığında, eserin sadece alınlıktan ibaret oluşu ve alışılmışın dışındaki boyutları, mevcut sınıflandırmalara uymamaktadır. Bu bağlamda kentin yakın çevresindeki mezarlarla karşılaştırma yapıldığında in-situ durumda bir khamasorion mezar tespit edilmiş ve bu mezar ışığında eserin khamasorion bir mezara ait olduğu anlaşılmıştır. Benzer örneklerin sadece bu bölgede olması itibariyle Güney Paphlagonia Tipi Alınlık Stel olarak adlandırılmıştır. Üzerindeki figürlerden eserin M.S. 2-3. yüzyıllar arasına tarihlenmiştir. Bu çalışmayla bölgenin Roma İmparatorluk Dönemi mezar mimarisi ve ölü gömme geleneği bağlamında oldukça önemli veriler elde edilmiştir.
Research Interests: Archaeology, Classical Archaeology, Historical Archaeology, Landscape Archaeology, Death and Burial (Archaeology), and 15 moreLate Roman Archaeology, Ancient Greek and Roman Art, Arkeoloji, Burial Customs, Ölü Gömme Gelenekleri, Greek and Roman Archaeology, Paphlagonia, Klasik Arkeoloji, Ancient Greek and Roman Burial Customs, Mezar Steli, Roman Burial Archeology, Roman Rock Epigraphy, Paphlagonia Antik Kentleri, Roman Arkeology, and Roman grave monuments
Tokat Museum Silver Rings Abstract Rings have been used by men and women with functional purposes such as ornaments, seal, indicating nobility and rank, engagement, charm, key rings, and carrying poison. The sections of rings can be in... more
Tokat Museum Silver Rings
Abstract Rings have been used by men and women with functional purposes such as ornaments, seal, indicating nobility and rank, engagement, charm, key rings, and carrying poison. The sections of rings can be in various forms such as semi-circular, square thin band as they can be worn on fingers as well as toes. In addition to plain circular rings, rings with bezel were used as well. The forms of rings have changed over time and new forms have emerged. Silver rings in Tokat Museum are considered as catalog study in this article. Although all nine rings are stoned, the stones of two rings are missing. Four of the rings have cornelian, two have glass, and one has silver stone. Cornelian stones are engraved with negative descriptions and monogram. Descriptions and monogram are the most popular applications of Rome and Late Rome period. Rings have a wide time range between 1st century B.C. and 5th century A.D. Silver rings evaluated within the context of this study are particularly important for providing data in terms of social and economical status of daily life standards, and culture of individuals of the Rome and Late Rome Period. Considering that all the pieces in the museum are brought from Tokat and its surroundings, the analysis of this group will reveal important information on the important settlement in the Ancient Era in terms of the region’s socio-economical cultural position and its relations with neighboring cities and the way of living of individuals in that area. Within this scope, the cataloging of silver rings from Rome Period in Tokat Museum will provide important information, will be used in comparing other artifacts found in archeological studies and will provide a resource for future research studies.
ÖZET: Yüzükler, kadınlar ve erkekler tarafından süs eşyası, mühür, asalet, rütbe belirtme, nişan, tılsım, nazarlık, anahtar yüzükler ve zehir taşıma gibi işlevsel amaçlarla kullanılmışlardır. El bazen de ayak parmaklarına takılan yüzük halkalarının kesiti yarım daire, kare ince bant gibi farklı biçimlerde olabilmektedir. Düz halka yüzüklerin dışında, kaşlı yüzükler de kullanılmıştır. Yüzük formları zamanla değişerek yeni formlar ortaya çıkmıştır. Tokat Arkeoloji Müzesi'nde yer alan gümüş yüzükler bu makalede katalog çalışması olarak değerlendirilmiştir. Toplam dokuz adet olan yüzüklerin tamamı taşlı olmasına rağmen iki yüzüğün taşları noksandır. Yüzüklerden dört tanesi akik, iki tanesi cam, bir tanesi gümüş taşa sahiptir. Akik taşlar üzerine negatif betimler ve monogram kazınmıştır. Betimler ve monogram Roma ve Geç Roma döneminim sevilen uygulamaları olarak dikkat çekmektedir. Yüzükler MS 1. yüzyıldan MS 5. yüzyıla kadar geniş bir zaman aralığına sahiptir. Çalışma kapsamında değerlendirilen gümüş yüzükler, özellikle Roma ve Geç Roma Dönemi insanının sosyal ve ekonomik durumu, günlük yaşam standartları ve kültürü hakkında vereceği veriler açısından oldukça önemlidir. Müzedeki eserlerin tamamının Tokat ve çevresinden geldiği düşünüldüğünde, bu gurubun analizi Antik Çağ'da önemli bir yerleşim olan bölgenin sosyo-ekonomik kültürel konumu ve çevresindeki şehirler ile olan ilişkileri ve orada yaşayan insanların günlük yaşam şekli üzerine önemli veriler sağlayacaktır. Bu anlamda Tokat Müzesi'ndeki Roma Dönemi gümüş yüzüklerin kataloglanması sonucunda, arkeolojik araştırmalarda bulunulan diğer eserlerin analojisinde kullanılarak ileride yapılacak çalışmalara referans oluşturacaktır.
Abstract Rings have been used by men and women with functional purposes such as ornaments, seal, indicating nobility and rank, engagement, charm, key rings, and carrying poison. The sections of rings can be in various forms such as semi-circular, square thin band as they can be worn on fingers as well as toes. In addition to plain circular rings, rings with bezel were used as well. The forms of rings have changed over time and new forms have emerged. Silver rings in Tokat Museum are considered as catalog study in this article. Although all nine rings are stoned, the stones of two rings are missing. Four of the rings have cornelian, two have glass, and one has silver stone. Cornelian stones are engraved with negative descriptions and monogram. Descriptions and monogram are the most popular applications of Rome and Late Rome period. Rings have a wide time range between 1st century B.C. and 5th century A.D. Silver rings evaluated within the context of this study are particularly important for providing data in terms of social and economical status of daily life standards, and culture of individuals of the Rome and Late Rome Period. Considering that all the pieces in the museum are brought from Tokat and its surroundings, the analysis of this group will reveal important information on the important settlement in the Ancient Era in terms of the region’s socio-economical cultural position and its relations with neighboring cities and the way of living of individuals in that area. Within this scope, the cataloging of silver rings from Rome Period in Tokat Museum will provide important information, will be used in comparing other artifacts found in archeological studies and will provide a resource for future research studies.
ÖZET: Yüzükler, kadınlar ve erkekler tarafından süs eşyası, mühür, asalet, rütbe belirtme, nişan, tılsım, nazarlık, anahtar yüzükler ve zehir taşıma gibi işlevsel amaçlarla kullanılmışlardır. El bazen de ayak parmaklarına takılan yüzük halkalarının kesiti yarım daire, kare ince bant gibi farklı biçimlerde olabilmektedir. Düz halka yüzüklerin dışında, kaşlı yüzükler de kullanılmıştır. Yüzük formları zamanla değişerek yeni formlar ortaya çıkmıştır. Tokat Arkeoloji Müzesi'nde yer alan gümüş yüzükler bu makalede katalog çalışması olarak değerlendirilmiştir. Toplam dokuz adet olan yüzüklerin tamamı taşlı olmasına rağmen iki yüzüğün taşları noksandır. Yüzüklerden dört tanesi akik, iki tanesi cam, bir tanesi gümüş taşa sahiptir. Akik taşlar üzerine negatif betimler ve monogram kazınmıştır. Betimler ve monogram Roma ve Geç Roma döneminim sevilen uygulamaları olarak dikkat çekmektedir. Yüzükler MS 1. yüzyıldan MS 5. yüzyıla kadar geniş bir zaman aralığına sahiptir. Çalışma kapsamında değerlendirilen gümüş yüzükler, özellikle Roma ve Geç Roma Dönemi insanının sosyal ve ekonomik durumu, günlük yaşam standartları ve kültürü hakkında vereceği veriler açısından oldukça önemlidir. Müzedeki eserlerin tamamının Tokat ve çevresinden geldiği düşünüldüğünde, bu gurubun analizi Antik Çağ'da önemli bir yerleşim olan bölgenin sosyo-ekonomik kültürel konumu ve çevresindeki şehirler ile olan ilişkileri ve orada yaşayan insanların günlük yaşam şekli üzerine önemli veriler sağlayacaktır. Bu anlamda Tokat Müzesi'ndeki Roma Dönemi gümüş yüzüklerin kataloglanması sonucunda, arkeolojik araştırmalarda bulunulan diğer eserlerin analojisinde kullanılarak ileride yapılacak çalışmalara referans oluşturacaktır.
Research Interests: Archaeology, Roman History, Anatolian Archaeology, Metallurgy, Romanesque Art, and 13 moreGreek Archaeology, Late Roman Archaeology, Ancient Greek and Roman Art, Arkeoloji, Roman Art, Roman Mining and Metallurgy, Arqueología romana / Roman archeology, Early Iron Age, Late Iron Age, Roman period, Late Antiquity, typology, chronology, distribution, function, fibulae, weapons, tools, harness, metal vessels, writing equipment, balances and weights, small finds, Carnelian, Ancient Greek and Roman Metal Works, Roman Archaeology, Roman Finger rings, and Ancient Metallurgy of Silver and Lead
Metal objects which are one of the most prominent discoveries of humankind has entered into the life of humans with copper which is easily accessible in nature. Since Anatolia is rich in regard to mineral deposits, people have always been... more
Metal objects which are one of the most prominent discoveries of humankind has entered into the life of humans with copper which is easily accessible in nature. Since Anatolia is rich in regard to mineral
deposits, people have always been able to access mines easily. In pre-historic times, people using flint stones, obsidians and bones as well as wood collected copper and started doing objects. Since metal
materials are more durable compared to other things and easier to be formed, they were improved quickly in the life of human beings. Later metal materials were regarded as the major signifier of wealth, definitive
in wars and the assistant of being garnished which stems from the feeling of human beings that is being liked. All those factors contributed to the increase and improvement of metal material use with the help
of technological factors for ages. In this context, Parion excavations also contribute to the data in use and improvement of metal materials. Metal materials which have been unearthed in theater excavations since
2006 have contributed a lot to the data associated with metal use.
The aim of this study is to highlight the changes and practices of theater in ages by means of comparing the metal artifacts with similar samples and introducing them to the scientific world as well as evaluating
the layer and the context materials where the artifacts were unearthed. As well as giving information about the structure of theater, these metal artifacts help us to understand the socio-economic state of Parion.
deposits, people have always been able to access mines easily. In pre-historic times, people using flint stones, obsidians and bones as well as wood collected copper and started doing objects. Since metal
materials are more durable compared to other things and easier to be formed, they were improved quickly in the life of human beings. Later metal materials were regarded as the major signifier of wealth, definitive
in wars and the assistant of being garnished which stems from the feeling of human beings that is being liked. All those factors contributed to the increase and improvement of metal material use with the help
of technological factors for ages. In this context, Parion excavations also contribute to the data in use and improvement of metal materials. Metal materials which have been unearthed in theater excavations since
2006 have contributed a lot to the data associated with metal use.
The aim of this study is to highlight the changes and practices of theater in ages by means of comparing the metal artifacts with similar samples and introducing them to the scientific world as well as evaluating
the layer and the context materials where the artifacts were unearthed. As well as giving information about the structure of theater, these metal artifacts help us to understand the socio-economic state of Parion.
Research Interests: Ancient History, Archaeology, Roman History, Theatre Studies, Metallurgy, and 15 moreByzantine Studies, Late Antiquity, Ancient Greek and Roman Theatre, Ancient Greek and Roman Art, Roman Period, Metal vessels, Ancient Weapons and Warfare, Ancient Bronzes, Early Iron Age, Late Iron Age, Roman period, Late Antiquity, typology, chronology, distribution, function, fibulae, weapons, tools, harness, metal vessels, writing equipment, balances and weights, small finds, Ancient tools, Fibulae, Parion, Ancient Greek Metal Vessels, Roman Archaeology, and Ancient lead weights
Parion antik tiyatrosunda 2006 yılında başlayan bilimsel kazı çalışmaları günümüzde de devam etmektedir. Kazı çalışmalarında ortaya çıkarılan metal eserler, tiyatronun geçirdiği evrelere ve değişikliklere açıklık getirilmesine katkıda... more
Parion antik tiyatrosunda 2006 yılında başlayan bilimsel kazı çalışmaları günümüzde de devam etmektedir. Kazı çalışmalarında ortaya çıkarılan metal eserler, tiyatronun geçirdiği evrelere ve değişikliklere açıklık getirilmesine katkıda bulunacak niteliktedir. Çalışmanın konusu 2006-2015 yılları arasında yapılan kazı çalışmalarında ortaya çıkarılan bronz, demir ve kurşun eserlerden oluşmaktadır. Metal eserler antik dönem içerisinde çok farklı işlevlere sahiptir. Özellikle tiyatroda ortaya çıkarılan, birçok farklı kullanım özelliğine sahip metal eserlerin büyük kısmı, günümüzde olduğu gibi mimari konstrüksiyonda bağlayıcı eleman olarak kullanılmıştır. Çalışmanın içeriğinde 39 bronz, 17 demir ve 1 adet kurşun olmak üzere toplamda 57 eser incelenmiştir. Bronz eserler demir ve kurşun eserlere göre daha yoğun bir kullanım görmüştür. Bu durum bronzun diğer malzemeden yapılan eserlere göre daha dayanıklı olmasından kaynaklanmaktadır. Tiyatroda ortaya çıkarılan çok sayıda bronz tıp aleti, tiyatronun ikinci evrede değiştirilerek gladyatör oyunlarının oynandığı bir mekân olarak kullanıldığına işaret etmektedir. Çünkü antik dönemde gladyatörlere ilk müdahale tiyatro içerisinde gerçekleştirilmektedir. Tıp aletlerinin özellikle versurae bölümünün içerisinde yer küçük bir odada ortaya çıkması, tiyatronun ikinci evresinde bu bölümün ilk tıbbi müdahale odası olarak kullanıldığı göstermektedir. Ortaya çıkarılan demir eserler ise tiyatronun ahşap konstrüksiyonunda kullanılmıştır. Ele geçen buluntuların hepsi Roma ve Bizans dönemine aittir. Bu durum tiyatronun Roma döneminden Bizans’ın içlerine kadar kesintisiz bu kullanıldığını göstermektedir.
Research Interests: Ancient History, Archaeology, Roman History, Theatre Studies, Metallurgy, and 9 moreByzantine Studies, Ancient Greek and Roman Theatre, Ancient Greek and Roman Art, Early Iron Age, Late Iron Age, Roman period, Late Antiquity, typology, chronology, distribution, function, fibulae, weapons, tools, harness, metal vessels, writing equipment, balances and weights, small finds, Ancient tools, Parion, Roman Archaeology, Karabük ÜNiversitesi Sosyal Bilimler Enstitüsü Dergisi, and Parion Slope Bath
A Trapezophoros (Table-bearer) From Parion Slope Bath of Parion is located on the western slope of the hill 300 m east of the acropolis and the theatre, 100 m northeast of the Sedat-Naciye NUROVA Parion Excavation House and the... more
A Trapezophoros (Table-bearer) From Parion
Slope Bath of Parion is located on the western slope of the hill 300 m east of the acropolis and the theatre, 100 m northeast of the Sedat-Naciye NUROVA Parion Excavation House and the excavations in this sector were begun in 2008. During survey works carried out on the slope a vaulted strocture remain of 1 m diameter was observed. The vaulted structure remain was thought to be related to the wall remain or to belong to either an important structure or structure group therefore the desicion for excavating this area was given. The Slope Bath having nine sections revealed during excavations so far, besides sheding light to the social and economical aspects of Parion, does present significant information regarding the architecture of the city. These revealed sections are significant due to their different features. One of discovered artifacts called as trapezophoros will be introduced with regards to their relation to the structure. Trapezophoros is a leg of ancient marble table with three or four legs. It is appeared as lion head because it attented to show lion’s power. Marble table with lion heads was symbol of wealth. So trapezophoros discovered in Slope Bath shows that Slope Bath has to be very special complex. Additionally it was studied to date by stylistic angle.
Slope Bath of Parion is located on the western slope of the hill 300 m east of the acropolis and the theatre, 100 m northeast of the Sedat-Naciye NUROVA Parion Excavation House and the excavations in this sector were begun in 2008. During survey works carried out on the slope a vaulted strocture remain of 1 m diameter was observed. The vaulted structure remain was thought to be related to the wall remain or to belong to either an important structure or structure group therefore the desicion for excavating this area was given. The Slope Bath having nine sections revealed during excavations so far, besides sheding light to the social and economical aspects of Parion, does present significant information regarding the architecture of the city. These revealed sections are significant due to their different features. One of discovered artifacts called as trapezophoros will be introduced with regards to their relation to the structure. Trapezophoros is a leg of ancient marble table with three or four legs. It is appeared as lion head because it attented to show lion’s power. Marble table with lion heads was symbol of wealth. So trapezophoros discovered in Slope Bath shows that Slope Bath has to be very special complex. Additionally it was studied to date by stylistic angle.
